… « I see in his painting a deliberate attempt to consider painting as a skin, as an envelope, as a veil; I mean all that which, in the history of art, has stood for the metaphor of painting: the cloud, the undecidable things so present in Chinese or Japanese paintings , the blurred, floating matters. All this suggests vacuum, which means that, basically, even before the recent emergence of our digital age, I believe that he had been working in what the Japanese call the Ma ».  Extract from the 2002 film « Gérard Pairé ou La Peinture en Absence » with Christine Buci-Glucksmann.

… « I see in his painting a deliberate attempt to consider painting as a skin, as an envelope, as a veil; I mean all that which, in the history of art, has stood for the metaphor of painting: the cloud, the undecidable things so present in Chinese or Japanese paintings , the blurred, floating matters. All this suggests vacuum, which means that, basically, even before the recent emergence of our digital age, I believe that he had been working in what the Japanese call the Ma ».  Extract from the 2002 film « Gérard Pairé ou La Peinture en Absence » with Christine Buci-Glucksmann.

2016 - 21x30cm
2016 - 21x30cm
2016 - 21x30cm
2016 - 21x30cm
2016 - 21x30cm
2016 - 21x30cm
2016 - 21x30cm
2016 - 21x30cm
2016 - 21x30cm
2016 - 21x30cm
2016 - 21x30cm
2016 - 21x30cm
2016 - 30x21cm
2016 - 30x21cm
2016 - 30x21cm
2016 - 30x21cm
2016 - 30x21cm
2016 - 30x21cm
2016 - 30x21cm
2016 - 30x21cm
2016 - 30x21cm
2016 - 30x21cm
2016 - 30x21cm
2016 - 30x21cm
2017 - 33x50cm
2017 - 33x50cm
2017 - 33x50cm
2017 - 33x50cm
2017 - 33x50cm
2017 - 33x50cm
2017 - 33x50cm
2017 - 33x50cm
2017 - 33x50cm
2017 - 33x50cm
2017 - 33x50cm
2017 - 33x50cm
2017 - 33x50cm
2017 - 33x50cm
2020 - 30x42cm
2020 - 30x42cm
2020 - 30x42cm
2020 - 30x42cm
2020 - 30x42cm
2020 - 30x42cm
2020 - 30x42cm
2020 - 30x42cm
2020 - 30x42cm
2020 - 30x42cm
2020 - 30x42cm
2020 - 30x42cm
2020 - 30x42cm
2020 - 30x42cm
2020 - 30x42cm
2020 - 30x42cm

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